Richard O. Moore
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Photo courtesy Philip Greene

Richard Owen Moore was a documentary filmmaker primarily known for a significant number of films on the arts and public affairs that were distributed in 16mm format to schools through National Educational Television (NET). Born in San Francisco on February 26, 1920, he attended UC Berkeley, wrote poetry and presented the first program broadcast on radio station KPFA on April 15, 1949. In 1954 he began his career at television station KQED in San Francisco, an NET affiliate, eventually becoming its Public Affairs Director. 1960 he received a CBS fellowship to spend a year at Columbia University, where he met documentarist Al Maysles and other pioneers of cinéma vérite. He brought that concept back to KQED when he returned in 1961 and made an arrangement with General Manager Jim Day to set up an independent unit which would make documentary films.  

For KQED, he produced, directed, wrote, and narrated a large number of films from 1961 through 1969, focusing on the arts, public affairs, and the emerging world of computers. His USA: Poetry series, which achieved wide distribution in schools, documented the fervor, joy, and angst of the turbulent 1960s as described and depicted in the lifestyles of several of the most-renowned poets of the era.  

He was elected GM of KQED on August 1, 1969, succeeding James Day, and continued in that role until 1973. He produced films as an independent until 1981, when he joined public television station KTCA in Minneapolis as head of Special Projects.

Throughout his film career, Richard O. Moore wrote poetry. As a young man he joined an informal group surrounding Kenneth Roxroth and published his first poem in 1945. Moore left filmmaking permanently in 2000 to concentrate fully on writing. He wrote two nationally published books of poetry "Writing the Silences" (2010) and “Particulars of Place” (2015), privately published several others, and his work appeared in magazines and journals. He died on March 25, 2015 at the age of 95. 

In 2012, Alex Cherian produced a documentary film consisting of an interview with Moore, “The Making of Take This Hammer.” Reflecting on the documentary form as it related to his film made nearly five decades earlier, Moore said: “It’s difficult to get funding for a film today that doesn’t reassure the viewer that all’s right with the world, one way or another. It’s putting together a highly-polished protective veneer against reality.” Cherian's film represents possibly the only time Moore ever discussed his film career on camera.

Moore’s uncompromising film work in the areas of the arts and public affairs remains refreshingly honest and vitally insightful when viewed decades later. It is hoped that eventually his films will be made available to be seen again.  


We are attempting to complete Moore’s extensive filmography. It is believed that all of the following films were distributed to schools in 16mm format. Please contact us for additions and corrections. 

Louisiana Diary: a CORE voter registration drive in the town of Plaquemine (1963). View Moore's interview on the making of the film.

‘Computer and the Mind of Man’ series (6 films)

- Logic by Machine (1962)

- Universe of Numbers (1962)\

- Universal Machine, The (1962)

- Control Revolution, The (1962)

- Managers and Models (1962)

- Engine at the Door (1962)

Take This Hammer (1963) James Baldwin visits San Francisco; discussions and interviews with Baldwin and residents of Hunter’s Point and Bayview districts.
Director’s cut of 'Hammer' (final film)
Original cut prior to editing for broadcast  

‘Anatomy of a Hit’ series (3 films)

- Little Man, What Now (1965) with Vince Guaraldi

- Serendipity Groove, The (1964) Vince Guaraldi interviewed by Ralph J. Gleason

- We're Getting Action (1964) Guaraldi discusses the success of his hit ‘Cast Your Fate to the Wind’

Dorothea Lange: The Closer for Me (1965) co-directed by Philip Greene

Dorothea Lange: Under these Trees (1965) co-directed by Philip Greene 

Messenger from Violet Drive, The (1965) with Elijah Muhammad 

Poland: Communism's New Look (1965) dir. Irving Saraf, prod. Moore 

‘USA: Poetry’ series (11 films)

- Allen Ginsberg and Lawrence Ferlinghetti (1966)

- Anne Sexton (1966)

- Brother Antoninus (William Everson) and Michael McClure (1966)

- Denise Levertov and Charles Olson (1966)

- Frank O'Hara and Ed Sanders (1966)

- Louis Zukofsky (1966)

- Kenneth Koch and John Ashbery (1966)

- Richard Wilbur and Robert Lowell (1966)

- Robert Creeley (1966)

- Robert Duncan and John Wieners (1966)

- Philip Whalen and Gary Snyder (1966)

Monterey Jazz Festival (1966) 

Losing Just the Same (1966) 

Duke Ellington: A Concert of Sacred Music (1967) 

Duke Ellington: Love You Madly (1967) 

Long Walk, The: Navajo Nation (1967) co-directed by Phil Greene 

Report from Cuba (1967) co-produced with Saul Landau 

Assemblage: Merce Cunningham and John Cage, Ghirardelli Square (1968) 

California: A Place for No Story (1969) co-directed by Phil Greene 

‘The Writer in America’ series (8 films, produced by Perspective Films)

- Eudora Welty (1975)

- Robert Duncan (1978)

- Janet Flanner (1978)

- John Gardner (1978)

- Muriel Rukeyser (1978)

- Ross MacDonald (1978)

- Toni Morrison (1978)

- Wright Morris (1978) 

On Death and Dying, with Dr. Willard Gaylin (1980), from the KTCS series ‘Hard Choices’  

The Cities of China (1980) location director (1980). 

Going Somewhere: the story of Route 66 (1982)

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